Tuesday, May 23, 2017

Critically Acclaimed 1971 Film "Extremes" Feat. Soundtrack By Supertramp And Others Now Available For Pre-Order!


London - Available for the first time on CD and DVD, “Extremes” is the 1971 film Directed by Tony Klinger, Mike Lytton. It covers the whole gamut of present day human behaviour, from carefree pop fans bathing nude at the Isle of Wight to withdrawn, pathetic junkies hastening their own deaths with hard drugs. Such is the range encompassed by the so-called “permissive society”, doubly significant because it usually involves young people who have either never known discipline or are rebelling against an overdose of it. They can't change society so they have no alternative but to drop out from it. In some of the most natural and remarkable film footage ever obtained, Tony Klinger and Michael Lytton have captured a unique cross-section of them going their chosen ways, and talking freely and frankly about doing so. Nothing was pre-arranged, nothing rehearsed: everything was filmed as it happened. Hippies, junkies, Hell's Angels, alcoholics, drop-outs - all fall into the category of nonconformist minorities.

Accompanying this incredible film is an equally amazing sound track produced by Supertramp, Arc, Crucible and others. The sound track album was released on Deram and is so rare it sells for in excess of £250 and has never being be released on CD before.

Available from Gonzo Multimedia, this DVD/ CD package with an extensive booklet of photographs from the set and sleeve notes by Tony Klinger finally pays justice to this unique film



Tracks:
Arc - An Ear Ago
Arc - Great Lager Street
Crucible - Box Man
Mark McCann - Black Rose
Mark McCann - Refrigerated Warmth
Arc - Let Your Love Run Through
Crucible - Hit It
Supertramp - Surely
Supertramp - Am I Not Like Other Birds of Prey
Arc - I'm A Perfectly Happy Man
Supertramp - Words Unspoken
Crucible - Elvish Queen
Crucible - We Gotta Watch Out

Release Date: 30th June 2017

To pre-order “Supertramp - Extremes” (CD/DVD):
http://www.gonzomultimedia.co.uk/search/product_details/16012/Supertramp-Extremes.html

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Monday, May 22, 2017

Metal Review: Crazy Lixx-Ruff Justice

Release Date: April 21, 2017
Label: Frontiers Music

For the past decade, Swedish hard rock band Crazy Lixx have released a steady stream of quality music. Attempting to bring life to a genre that’s seen better days, Crazy Lixx has not only succeeded in those goals, but currently sits on top the throne as one of the most recognizable modern hair metal bands. After a tumultuous year in 2015, Crazy Lixx has reinvented themselves with a new lineup and has taken a fresh stab at their trademark 80’s style rock n’ roll. And for any of those worried that a lineup change compromises their knack for writing big choruses, catchy guitar riffs, and blazing guitar solos, you can rest assured – this album is good, real good.

Ruff Justice kicks off with the dark n’ dirty “Wild Child,” which after the first listen had me reaching for my guitar in an attempt to transcribe the song. I’ve always felt that the difference between “good” music and “great” music is that great music makes you want to get involved. Whether it makes you dance or makes you air drum, it lights a fire that not only gets you involved aurally, but involves you physically. The album continues firing on all cylinders with “XIII,” the lead single. Despite being a fantastically catchy track in its own right, a fun bit of trivia is knowing that this and 2 other songs on the album were written for inclusion in Friday the 13th: The Game. And although Ruff Justice has several soundtrack songs, they don’t break the flow of the album at any point – in fact, the tracks could easily blend into any of the Crazy Lixx catalog. To prove this point, stuck smack dab in the middle of the track list is yet another soundtrack song, “Killer.” Opening with a slow, brooding acoustic guitar, you can almost picture yourself wandering through the foggy, dense woods, trying to make your way to safety. Before you know it, the song launches into a full-on headbanger. Arguably the standout track on the record, “Killer” is one of many examples of Crazy Lixx straying from their feel-good, party boy roots, to something a bit more substantial in theme.

Ruff Justice is proof that even when Crazy Lixx was down, they were far from out. In every song, I hear the influences of their forefathers. There’s a little bit of Ratt in “Walk the Wire,” a touch of Bon Jovi in “Live Before I Die,” long-time vocalist Danny Rexon seems to channel the great Kip Winger at times (especially in “Hunter of the Heart”), and guitarists Chrisse Olsson and Jens Lundgren have the chops to take on any of their guitar heroes. However, at the end of the day, Crazy Lixx has a sound that is uniquely theirs, and it shines on Ruff Justice. This is their best album since their major label debut New Religion, and I would proudly recommend it to anyone that enjoys a little rock n’ roll.

Austin Hannaleck

4.5/5 Stars

May 22, 2017

Review Provided By Write A Music Review

Band Members:
Danny Rexon – vocals
Joél Cirera – drums
Jens Sjöholm – bass
Chrisse Olsson – guitar
Jens Lundgren – guitar



Friday, May 19, 2017

Instrumental New Age Review: Gina Lenee-Red Diamonds

Release Date: April 7, 2017
Label: Independent

Red Diamonds is Gina Lenee’s 7th studio album. 

Here is some essential information from the artist website to get an idea of how effort went into the recording and who contributed…

Red Diamonds was produced by Will Ackerman and Tom Eaton and engineered, mixed and mastered by Tom Eaton. Featured guest artists appearing on the album are Charlie Bisharat (violin), Eugene Friesen (cello), Jill Haley (English horn), Jeff Haynes (percussion), Jeff Oster (flugelhorn), Marc Shulman (electric guitar), Premik Russell Tubbs (EWI and sax), Tom Eaton (fretless bass, guitar, vocals) Will Ackerman (acoustic guitar and vocals) and Noah Wilding (vocals).

The status quo for Imaginary Road Studio is to bring in the best group of musicians to help each artist create their own musical masterpiece. This was no exception to the rule as superb musicians gathered to create Red Diamonds. The collaborative effort brings out the best in everyone. The goal and result is always the same, to create music with a purpose and vision.  I think this was accomplished successfully and the passion and storytelling in the ivory keys comes flowing through Gina’s soul. The entire album sounds like an invitation to a romantic getaway. And whatever you consider romantic becomes real while listening to these tracks.

The English horn, violin, cello, sax and flugelhorn lay down a bed of textures and colors that Gina takes full advantage of. Some of the subtle vocals added were a real nice touch on tracks like “The Moment” and “River.”  The angelic and trance like female vocal persuasions are just right, like the proverbial icing on the cake as it were.

Listening to Red Diamonds was like free form artistic expressionism in motion. The canvas in this instance is you, the listener. As Gina paints the music with broad strokes, it eases you into your own comfy chair that lives inside your mind and soul. This is not a physical object; this is something that is esoteric. I have always felt the need to express the spiritual power that music possesses and ultimately that energy translates to a healing for this listener. If you have not found that place yet I would advise listening to this music and use it as a guide to get there.

4/5 Stars

Keith “MuzikMan” Hannaleck
May 17, 2017May 19, 2017
Founder of:

Review Provided By New Age Music Reviews

Tracks:
01. A Thousand Days Without You
02. Soulmates
03. Carry Me Away
04. The Moment
05. River
06. Red Diamond
07. The Beautiful, the Broken
08. Art of Life
09. What No One Knows
10. Forever
 

"Phaedrus" Digital Magazine & Subscription Service Issues Rare & Unreleased PROG Music!


Carlos Plaza, leader and main composer of Kotebel, is now Chief Editor of a new quarterly digital magazine and subscription service called “Phaedrus.” The new magazine/service provides awareness among the progressive community and specializes in this genre and, among other content, provides a couple of features that are truly unique! Exclusive PROG music at an affordable price!

Phaedrus Music

“Phaedrus” offers original music that is not available for sale anywhere. In every issue, previously unreleased music is published and subscribers can download it in MP3 of WAV lossless. Says music artist and editor Carlos Plaza Vegas, “In this initial 'Phaedrus' phase, I'm the composer of all these pieces but as soon as 'Phaedrus' gains enough critical mass, I will be purchasing rights for original music from artists that I like. Thus, belonging to the Phaedrus Community will give you access to music that, at least for several years, will not be (legally) accessible by any other means. When the published pieces reach more than 45 minutes, a 'Phaedrus' album is manufactured and released. This album is sent to subscribers at no additional cost (not even shipping).” The digital magazine & subscription service is about to release its first album, “Triptych.”

Classics Choice

In this section, selected progressive rock master works are subject to analysis. It is important to highlight that we are not talking about reviews. The objective of these analyses is to submerge the listener into the details of the work. To allow the listener to discover hidden details, to better understand how the piece has been built, the relationship with the lyrics, the integration with the conceptual framework, etc. For the past 20 years or so, Progressive Rock has found a place among scholars. More and more musicologists are choosing progressive rock pieces as basis for research, doctoral and master's thesis. Many universities now include progressive rock as a course that forms part of music graduate and undergraduate programs. These research papers are aimed at musicians and musicologists and include a lot of technical information that requires a solid music training. These works, as interesting as they are, cannot be fully understood by the average progressive music fan. Carlos explains, “So, what I do as part of these analyses, is to strip from those documents the parts that require profound music knowledge. I select fragments, 'decaffeinate' others, create a lot of new material, and build a detailed analysis that can be followed by any progressive music fan.”

Phaedrus has already published analyses of: “Close to the Edge” (2 articles), “Tarkus,” “Starless,” “Supper’s Ready” (2 articles) and “A Passion Play” (part 1). Next publications are: “A Passion Play” (part 2), “The Lamb Lies Down on Broadway,” “Relayer,”and “Karn Evil 9.”

These analyses renew the listening enjoyment of beloved progressive rock classics but the most important benefit is this: These analyses help to develop listening skills that will enhance your enjoyment of music for the rest of your life!

Other “Phaedrus” sections include:

Kotebel Corner: with exclusive material for Kotebel fans including rare recordings, videos and music analyses.
Articles on a wide range of subjects related to art in general and music in particular.
Album recommendations.

The first album available “Triptych”:



Watch the promotional video: https://vimeo.com/216530750

“Triptych,” Phaedrus Music's first album, offers a wide variety of styles, from symphonic progressive rock to chamber music. It features Carlos Plaza's facet as a multi-instrumentalist, accompanied by a host of very special guests, including some very known to Kotebel fans.

The album is named after a three-piece suite whose first movement, “Dawn”, is the original piece from which the Adagio from Kotebel's “Concerto for Piano and Electric Ensemble” was based. The album also marks the beginning of a long-term project: to put music to all 22 major Tarot arcana. “Triptych” includes “The Fool”, “The Magician” and “The High Priestess”. The rest will gradually be presented in future Phaedrus Music albums.

Carlos Plaza explains, “ 'Triptych' is an album that will appeal to a wide audience of progressive fans. From hard symphonic pieces like 'Ignition' to classical chamber music like 'The High Priestess', or even Zeuhl ('Magmatron' – my tribute to Magma), it covers a wide palette of textures and styles.

“Although the only way to get this album is by subscribing, subscription is so low that there is really very little difference compared to a standard purchase. The most economic subscription is the Semester Option, that costs 16.98 euros per semester (2.83 euros/month). Since you can cancel the subscription at anytime, you can subscribe, request the album, and for only 5 euros more (assuming the average cost of an album is 12 euros shipping included) you will have 6 months to enjoy all of Phaedrus' private contents and cancel the subscription if you are not interested. The album of course, is yours to keep. So, almost for the price of an ordinary album, you will have a collector's item.”

You can get the album, and listen to excerpts of all the pieces, visiting: www.phaedrus.es/triptych

For more information visit: https://www.phaedrus.es/welcome-to-the-world-of-phaedrus/

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Wednesday, May 17, 2017

New PledgeMusic Campaign For Roger Glover's "Butterfly Ball" 2017 Directors Cut Limited Edition Deluxe Box Set!


Feat. David Coverdale, Glenn Hughes, Jon Lord, Ian Gillan, John Lawton, Eddie Jobson, Vincent Price and others!

London – A new PledgeMusic campaign has been started for Deep Purple legend Roger Glover's “Butterfly Ball” 2017 Directors Cut Limited Edition Deluxe Box Set to be released on Gonzo Multimedia!

“The Butterfly Ball and the Grasshopper's Feast” is a concept album and subsequent live rock opera appearing in 1974 and 1975 respectively, based on the children's poem of a similar title. The work was originally conceived as a solo vehicle for Jon Lord to be produced by Roger Glover who had recently left Deep Purple. However, Lord proved too busy with Deep Purple and Glover took up the reins on his own. Using his connections, Glover recruited a large cast of noted rock musicians to perform on it, with a different vocalist for each character, including David Coverdale and Glenn Hughes.

On 16 October 1975, a one-off performance at the Royal Albert Hall took place. Again it had a star-studded cast of rock musicians, most notably Ian Gillan who was drafted in at the last minute and received a standing ovation on his entrance. He replaced an unavailable Ronnie James Dio who had commitments with Ritchie Blackmore's Rainbow (although Dio did eventually get to perform the song at the Royal Albert Hall in 1999 as the guest of Deep Purple). Gillan had not performed since leaving Deep Purple in 1973. Also notable was the appearance of Twiggy as singer and actress and Vincent Price as narrator. Apart from most of the musicians involved in the studio recording, the concert also featured Jon Lord. The live concert was filmed and released in 1976 produced and directed by Tony Klinger.

Tony Klinger is thrilled with the quality of the creation of this Limited Edition Deluxe Box Set which includes Double DVD (original film + 2017, re-edit, remaster), a Double CD (never released before), Reproduction Press Pack, 5 × 10″x 8" glossy promotional photos, A3 reproduction Film Poster. Each box will contain a number certificate signed by Tony Klinger.

Box Set Content

Double DVD (original film + 2017, re-edit, remaster)
Double CD (never released before)
Reproduction Press Pack
5 × 10″x 8" glossy promotional photos
A3 reproduction Film Poster (different to the poster which we are offering for sale)
Signed and number certificate.

There will only be 250 Boxes manufactured.

For more information: www.pledgemusic.com/projects/roger-glover-butterfly-ball

About PledgeMusic:

PledgeMusic is the leading global direct-to-fan platform dedicated to empowering artists, labels and brands to build communities, fund and pre-sell recordings, and provide unique experiences and exclusives throughout the entire music production and promotion lifecycle. PledgeMusic was named as one of The World’s Top 10 Most Innovative Companies of 2015 in Music for “Helping artists and fans get what they want”. – Fast Company.

Gonzo Multimedia: http://www.gonzomultimedia.co.uk/

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr.com

Wednesday, May 10, 2017

Rock-Blues-World Review: Santana-Lotus (Hybrid SACD)

Release Date: January 6, 2017
Label: Audio Fidelity

I want to start by saying that I am big fan of Santana and most of his musical output. I have a lot of his catalog at my immediate disposal. I have also been one of those people that believe his earlier lineups were the most original and progressive. I personally enjoy the first three albums the most, which enabled me to appreciate everything that came after that in different ways. With a new set of ears and looking inward spiritually, I would consider what he was presenting. When he started getting more commercial is when many people may have lost interest. I think I have heard one album that I thought was mediocre in over 30 years, so not a bad track for my listening tastes. This is my preference and opinion of course. To each his own as they say.

Anyone familiar with Santana knows about Lotus. As notated on the Audio Fidelity site: Lotus is a 1974 live album by Santana, recorded at the Osaka Koseinenkin Hall, Osaka, Japan in 1973. It was originally released in 1974 as a triple vinyl LP in Japan only. 

A little history regarding the release as follows:

The first U.S. release was in 1991 as a 2-CD set. Lotus has been re-issued on vinyl in the Netherlands and on CD in Japan in 2006 as a 3-CD set. It was also re-issued as a 3-LP set in the U.S. in 2013, and as a 3-CD hybrid SACD with seven previously unreleased bonus tracks in 2017 (a very high priced set). So, it is safe to say this recording has gone through several iterations since its inception a and has stood the test of time as one of the greatest live albums ever recorded. 

Now we have the superb version issued by Audio Fidelity, a two-disc Hybrid SACD that brings the concert to life with a crisp robust remastered take on the legendary performance. Santana Mark II was a continuation of the Mark I sound that was a melting pot of Latin-World-Rock-Blues-Jazz Music.  It was extremely innovative and one of the progenitors to the World Music that would arrive in the future. Some of the players switched seats however their sound remained intact and this release proves out that fact repeatedly.

Santana has influenced many musicians over the years however it is the early distinctly original rock fusion he presented that paved the way too many inroads into music then and today. I got into the early Santana music after I had already absorbed Return to Forever, Al DiMeola, Jean Luc-Ponty etc. So, for my journey it was a logical transition and very enjoyable I might add. 

Santana was like Hendrix, melding several genres and effects and taking his six-string to new heights. You could only experience that in a live setting and Lotus captures some incredible moments that were never reproduced again. His sound is very distinct and you know it when you hear it.

Audio Fidelity has been one of the anchor labels for special edition CDs and LP’s for many years now. This is the second run of the Lotus Hybrid SACD, which comes as no surprise. They release great titles with unmatched packaging and sound. As always I suggest getting your copy before they disappear.

Whether you’re a musician, producer, collector or audiophile, there is something here to appreciate for everyone. Lotus is a truly iconic release honored in the most prolific way possible by Audio Fidelity.

The Lotus Santana Line Up Included:
    Carlos Santana – lead guitar, Latin percussion
    Leon Thomas – maracas, vocals, Latin percussion
    Tom Coster – Hammond organ, electric piano, Yamaha organ, Latin percussion
    Richard Kermode – Hammond organ, electric piano, Latin percussion
    Doug Rauch – bass
    Armando Peraza – congas, bongos, Latin percussion
    José "Chepito" Areas – timbales, congas, Latin percussion
    Michael Shrieve – drums

5/5 Stars

Keith “MuzikMan” Hannaleck
May 10, 2017
Founder of:

Review Provided By Write A Music Review

Tracks:

Disc One:
 

01. Going Home
02. A-1 Funk
03. Every Step of the Way
04. Black Magic Woman
05. Gypsy Queen
06. Oye Como Va
07. Yours Is the Light
08. Batuka
09. Xibaba (She-Ba-Ba)
10. Stone Flower (Introduction)
11. Waiting
12. Castillos de Arena Part 1 (Sand Castle)
13. Free Angela
14. Samba de Sausalito


Disc Two:
 

01. Mantra
02. Kyoto (Drum Solo)
03. Castillos de Arena Part 2 (Sand Castle)
04. Incident at Neshabur
05. Se a Cabo

 

King Crimson To Tour North America Summer 2017 In Support of Forthcoming Live EP "Heroes"


Seminal rock band King Crimson begins their 2017 North American tour with the summer leg including a 17-show run spanning June 11 to July 10. The “Radical Action Tour 2017” will begin at Seattle's Moore Theatre on June 11. The tour will run through cities Saratoga, Oakland, San Diego, Los Angeles, Denver, and Minneapolis. King Crimson ends June with appearances at the Chicago Theatre on June 28 and Kodak Hall in Rochester on June 30.

The band begins July with a swing through Eastern Canada including an appearance at the Montreal Jazz Festival on the 3rd and at Toronto's Massey Hall on the 5th ahead of a stop in Quebec City on the 7th. Crimson will play two shows at the Count Basie Theatre in Red Bank, New Jersey on July 9 and 10 before heading to Mexico City for shows on July 14 and 15. King Crimson also revealed, “there will be further dates in the autumn, to include New York City.”

With four drummers up front including Pat Mastelotto, Gavin Harrison and Jeremy Stacey, as well as the return of multi-instrumentalist Bill Reiflin, guitarist, and original founding member, Robert Fripp, states that this “double quartet formation” is likely to make more noise than ever before. Rounding out the eight piece line up are guitarist and vocalist Jakko Jakszyk, bassist Tony Levin, and saxophonist Mel Collins, also an early member of Crim.

As well as standard tickets, the band's label, DGM, also has announced sale of VIP Royal Packages, limited to just 50 per show. Details can be viewed at the label's interactive and recently redeveloped website, www.dgmlive.com.

King Crimson 2017 North American Tour Dates:
06/11 – Seattle, WA @ Moore Theatre (sold out!)
06/12 – Seattle, WA @ Moore Theatre - tickets
06/13 – Seattle, WA @ Moore Theatre - tickets
06/15 – Saratoga, CA @ Mountain Winery - tickets
06/16 – Oakland, CA @ Fox Theatre - tickets
06/17 – Oakland, CA @ Fox Theatre - tickets
06/19 – San Diego, CA @ Humphrey's - tickets
06/21 – Los Angeles, CA @ Greek Theatre - tickets
06/24 – Denver, CO @ Bellco Theatre - tickets
06/26 – Minneapolis, MN @ State Theatre - tickets
06/28 – Chicago, IL @ Chicago Theater - tickets
06/30 – Rochester, NY @ Rochester Jazz Festival - Kodak Hall - tickets
07/03 – Montreal QC @ Montreal Jazz Festival - tickets
07/05 – Toronto, ON @ Massey Hall - tickets
07/07 – Quebec, QC @ Centre Videotron - tickets
07/09 – Red Bank, NJ @ Count Basie Theatre - tickets
07/10 – Red Bank, NJ @ Count Basie Theatre - tickets

Coinciding with the first leg of the tour, King Crimson will be releasing a CD EP featuring their version of “Heroes” recorded in Berlin during the band's 2016 European tour. Robert Fripp, who plays the unforgettable guitar on Bowie’s original version, writes, “King Crimson performed 'Heroes' at the Admiralspalast in Berlin as a celebration, a remembrancing and an homage. The concert was thirty-nine years and one month after the original sessions at the Hansa Tonstudio overlooking the Berlin Wall. This is released in the Fortieth Anniversary year.”  

“Heroes - Live In Europe, 2016” is set for release on June 2nd 2017 and can be pre-ordered via the shops at www.dgmlive.com as well as available through traditional retail outlets. The US based Schizoid Shop has recently added a range of new shirts and other band-related merchandise, and offers weekly specials including offers to win free tour tees. www.schizoidshop.com.



Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com